jedan (One)
A short relationship drama that linked Aning Film and Umjetnost za sve in an early co-production structure.
Film, transmedia, and education in one portfolio.
The archive does not split nonprofit and commercial lanes; it tracks real production links between Umjetnost za sve, Aning Film, and co-production partners.
Find projects
Twingo the filmmaker
A cross-platform documentary concept that turned funding pressure and production risk into narrative structure.
Violinist
An experimental short exploring body, rhythm, and compressed multi-line storytelling.
Breathing into Marble
A minority international co-production connecting Lithuanian, Latvian, and Croatian production contexts.
Sunset Unije Festival
A long-cycle island format combining culture, education, and local infrastructure dialogue.
365 - film for 10 lipa
An early initiative/workshop that used extreme budget limits to test participatory and accessible filmmaking.
Archive context
The project archive brings together different formats so users can read actual links between author-led films, educational processes, and festival work. Rather than dividing activity into disconnected sectors, the page highlights how one project often enables the next through audience development, production partnerships, knowledge transfer, and local capacity growth. Each entry therefore includes concise context about its role in the wider system, not only a title and year. This makes the archive useful as both documentation and planning reference.
Readers can follow continuity across cycles and identify which collaborative decisions remained sustainable over time. This framing helps emerging teams interpret the archive as applied practice, not just as a static catalog of completed works.
Selection logic
Selection is based on process representativeness rather than promotional ranking. Included entries were chosen because they show key production decisions, varied resource conditions, and transitions between work formats. Filters allow users to track shifts in themes, roles, and partnerships over time, while each project note points to a concrete contribution within the broader model. This keeps the archive readable for general audiences and useful for collaborators who need a structured overview of how the ecosystem evolved.
The structure is intentionally comparative, allowing visitors to map patterns without assuming one project is the definitive template. In that sense, the archive supports practical analysis and future planning in equal measure.